00:00Brian Condell ha descritto la terza sezione come il progetto di televisione che mai ha fatto.
00:07Come actor, quali sono le difficoltà di gestire questa produzione ambitiosa?
00:13Ok, io comincio.
00:14Credo che una delle cose principali era questo episodio che stiamo a guardare oggi.
00:20Perché non so cosa era il budget, ma ho detto che era incredibilmente irresponsabile e incredibile.
00:27Quando siamo and Abù, quando siamo and Abù, quando siamo and Abù, quando siamo and Abù,
00:33quando siamo and Abù, quando siamo and siamo and saw the ships that they had built,
00:36saw the depth of the tanks, saw all that water, felt the cannons of water flooding at us.
00:42We did have to...
00:43It was joyous, but there were moments when I did question my choices as a human being.
00:47Is this what I really want to be doing?
00:50Having seen the results, I think it's amazing, but that's my...
00:54No, it's sort of exactly what Steve said, you know, and for Raina at least,
01:00she's in so many different locations, very peripatetic lifestyle,
01:04of just like bouncing about in the fields and getting to be in that landscape was so vast.
01:10So like the bigness and the greatness that Ryan talks about was quite literally there for her.
01:16So yeah, it sort of immediately got me going, so yeah.
01:20Yeah.
01:21I would say that the thing that I really had to think a lot about this season was the scale
01:26and matching,
01:27because we all shoot individually and we never get to spend any time together as dragon riders
01:31and we have no idea what these guys are doing on the boat.
01:34So actually trying to mentally get yourself to a battle space when you're alone on a TV set by yourself
01:40was quite difficult.
01:41And to try and figure out just how...
01:44I think we forget just how big our dragons are compared to us.
01:48and to try and, you know, these movements that feel incredibly large and overdramatic actually don't read at all on
01:53screen sometimes.
01:54And so a lot of it was about, yeah, matching the scale, remembering that underneath us was this huge never
02:00seen before battle
02:01and trying to do something different that made it clear that we were riding for war and not riding for
02:07scouting,
02:08which is what I'd done previously.
02:11Yeah, I mean, you said it perfectly because we're like in the same boat with being alone, pretty much.
02:16Yeah, I think for me, sort of season one and season two, I was just, well, obviously credit to Renera,
02:22but stuck inside the whole time.
02:25So for me, it was nice to finally have a day out of the office and do some real stuff.
02:33And yeah, it was just nice for a change of scenery and to see finally what it was like to
02:38see these crazy sets on the back lot.
02:40I mean, the last time I was on the back lot was in Winterfell, which was crazy anyway, but that
02:45got taken down in like two days.
02:48But yeah, no, it was really, really nice.
02:50And just like Bethany was saying, it's really hard to get emotions when all this stuff is going on, especially
02:55when you're performing alone.
02:58And our director, Lonnie, especially on episode one, helped us so much.
03:03And he's such a big bundle of energy and he's really passionate about the show and he loves the show.
03:07And to have a director like that really, really helps with your performance as well.
03:11And he didn't have to have loads of meetings with us, but he did individually and discussed, you know, the
03:17emotions that our character would be feeling,
03:18which would really help us on the day.
03:20That's the most wonderful energy.
03:20Grazie.
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